I am overcoming a lot of my fears by directly putting myself in positions where I have to talk about how hearing loss and being deaf has affected my life. As a college professor (yep, for 14.5 years now) my job requires me to be in front of a lot of people each and every day. I have been trying to be more direct with my students and colleagues, and tell them how I feel and what I need from them. My honesty about who I am and what I am missing makes getting to mutual feelings of compassion and empathy a little easier. This mutual empathy helps both parties make the emotional connection that I feel is necessary in education.
Often, I have to ask people to repeat themselves, or to speak more slowly, or loudly. I often incorrectly answer questions and everyone laughs or looks at me with a priceless look of confusion. These things also make me laugh as shared misunderstandings create connections and remind me to take myself lighter. That connection is where I begin to know someone, because they would now know me as I am. I need to be more honest and forward about why. It is my responsibility to make people aware of what and how much I am missing. It is natural to seek deeper meaning out of yourself and examine how that applies to the world around you. We grow through such self-discovery as we interpret ourselves in relationship to our time here on this planet. I have, however, learned the hard way that it can slip away all too fast if we hide from ourselves. Hiding only seems to perpetuate more hiding. I often wonder how many other people with severe hearing loss and deafness are out there hiding from their deafness as I used to do?
Dealing with this process of healing and facing my fears (it’s an ongoing process), I recently had an epiphany about my work as an artist. Possibly you are already familiar with my work, but if not, I have been a high-volume output kind of artist for my whole life. My style is to make many things At Once. Volume and production, productions in volumes and accumulation. What a great metaphor, and right under my nose! By connecting my hearing limitations to the question, “Why do I make so much stuff?” or “Why have I put the emphasis on physical output and high volume of works produced?” I suddenly get it. My work habits are all about filling in the fear of how much I have been missing and have missed in this world.
I missed a lot beginning in early childhood; and as I grew older, the more I was not hearing the more art I would make. Production and Volume = Missing. The funny part is, most of the art that I make and have made is not dark or representative of my frustration. I do not try to communicate unhappiness, but I do see a huge common thread of a lack of meaning in my work before I became more aware of the impact of my deafness. Subsequently, the context of my art has changed and this plays a huge role in the kind of work that I greatly need and want to produce. The best is really yet to come.
The animations in this post continue to explore the soundless looping GIF format. These pieces begin as digital image fractures and manipulations. They are re-composed and organized as new imagery and content. How does that process play a role in communication? Missing 5-8 words in any sentence can have a profound effect on how one may respond, comprehend or take away from an interaction. What does this look like when that actual missing fragment(s) take place? Repetition is used to display the distortions and metaphors for how this experience may be interpreted visually. If you are a hearing person viewing these animations you may be “missing” the usual audio aspect to the videos you see, watch, and hear each day.
This post is slighted edited from the original on Ryan Seslow’s blog where you can see more of his art.